Clown. 2026

Birthday Show Curated by Andriana Carney - Sydney, NSW

Digital Drawing in response to news of Andriana Carey’s birthday show. A fun and silly drawing similar to doodles of mine that Andy has shown fondness for.

Happy Birthday, love you to bits.

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Save Slot. 2025

Save Slot is an interactive experimental video game. I ask you as the creator to sit and be transported. Embody the masked character and feel your consciousness meet the collective journey of past and present. No other objective but to observe and explore. But remember this is your journey and you will not receive assistance if you can’t find your «way back.

An experimental video game exploring memory, identity, and self-reflection through digital play. Using game-making as my medium, I revisit fragments of childhood, the experience of growing up with mismatched support, and feelings of disconnection. Through this process, I aim to bridge my retrospective and transcendental practice with my lived experience-transforming introspection into shared dialogue. The work exists between my younger and adult selves, a reflective space where memory and time converge. Each player becomes an embodied performer, contributing to a collective consciousness that holds and reshapes my personal reflections through interaction.

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Fish. 2025

During Save Slot Installation i took note of my childhood home with elements such as the CRT and the memory of a fish painting that lived in my childhood living room.

This inspired my own iteration of that painting by memory.

A homage to an unidentified artist/artwork.

...Originally created by crayons and oil paints.

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Aware. 2024

Aware 2024 is a projected video work performed through a soft sculptural mask, documented using an old Nintendo 3DS camera. The mask operates as a symbolic shield, exploring ideas of safety, safe spaces, and the temporary relief from social anxiety. While remaining conscious of the social gaze and the presence of the camera, the work engages in a mirrored form of self-reflection. It reflects on a childhood experience in which even simple expressions, such as smiling, felt difficult, positioning the work as both a personal recollection and an exploration of mediated identity and protection.

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Untitled. 2023. Watercolour and Ink. 1016 x 648mm

This work expands on previous explorations of water colour on a large scale, focusing on masking, symbolism, and distorted perspective to communicate emotional discomfort within social situations such as birthdays.

Distorted Ballon-like faces watching and judging.
A cycling of possible expression masks in an attempt to present a “correct” version of oneself.
And the attention all on you

Looming and all consuming, unable to escape perception. Exploring the pressure of social performance and the discomfort of not knowing what expression is expected in such settings. Through a personal lens, I have reflected on my own experiences within the performance of emotions and behaviours to meet social demand despite internal conflict.

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Expanded Series: Beds and Bedrooms. 2023

The concept of beds and bedrooms in my art practice began as a form of self-reflection and a window into my mental state, whether conscious or unconscious. Over time, this has expanded to include performative elements, shifting the work from a glimpse on paper to a glimpse in behaviour. As the series has developed, I have come to understand the bedroom not only as a reflection of mental state, but as a nest-like space of return and inner peace. It is a place to rest, wind down, reflect, and ruminate on the past, present, and future. Having lived in over twelve houses, the bedroom has become a kind of sanctuary — a private world where I can exist on my own terms. This work also acknowledges my younger self, around eight or nine years old, who would have always preferred to stay in bed rather than go to school.

> Mind Space 2023

> Collect a Bedroom: Private versus Public Movements. 2022

A series of watercolour postcards depicting friends’ and collaborators’ bedrooms, made public with the intention that they are taken, collected, and kept by others — reversing the movement of private to public and back into private ownership. Each postcard includes a quote or piece of advice from its participant, offering personal reflections intended to be carried into the viewer’s own context, particularly within experiences of mental health struggle and “bed rotting,” framing the work as both intimate exchange and shared emotional space.

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